Having that luxury to spend hours on a guitar tone or tuning the drums or working on harmonies and textural things. For me that was a godsend because I was used to doing records for all the indie labels and we only had budgets for three or four days. (Corgan) wanted to make everything sound amazing and see how far he could take it really spend time on the production and the performances. The longer recording period and larger budget were unprecedented for Vig, who later recalled Vig and Corgan worked together as co-producers, at the time Vig was still a relatively unknown producer. Gish was recorded from December 1990 to March 1991 in Butch Vig's Smart Studios in Madison, Wisconsin with a budget of $20,000. A song like "Rhinoceros" reflected that balance and what Corgan wanted to achieve: "we could be beautiful, pretty, psychedelic, and then flip the switch and be heavy and play a ripping lead." When composing the songs, Corgan was experimenting taking LSD to get a psychedelic feeling: "LSD gave me the confidence to attempt these things on kind of a weird tightrope wire act". And then we put those pieces together with the Beatles somewhere in the middle". "For us, it was trying to become this balance point between what felt like dumb riff rock and then the stuff we were really attracted to coming out of the U.K. As a writer, Billy Corgan wanted to find the balance between classic rock of bands playing heavy riffs like Black Sabbath and Led Zeppelin, and the sensuality and grace of alternative bands like the Cure, Siouxsie and the Banshees and My Bloody Valentine.
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